sarahct
I love that song; I was just pondering the other day why it hasn't been recorded yet. I guess it doesn't fit anywhere, but I hope it does someday.
sponwed
The Flood of 57 is a Stanley Bros tune I think. The Grateful Dead played it in the early 70's.
Daniel Had the Key to the Kingdom is a Washington Phillips song.
Brian1964SmithGlad you found this playlist to your liking MikeB. I've been trying to talk G&D into releasing some of this material, but Dave told me that they hold themselves to a pretty high standard, and if both of them aren't behind a song 100%, they don't... moreGlad you found this playlist to your liking MikeB. I've been trying to talk G&D into releasing some of this material, but Dave told me that they hold themselves to a pretty high standard, and if both of them aren't behind a song 100%, they don't bother. You can't argue that based on the strength of their recorded output. Still, Tell Me What You Think About & Knuckleball Catcher deserve to be heard.
MikeBOK Brian, I'll bite. How did you get the opportunity to try to talk G&D into anything? Love to hear that story. (I read some of your posts, and it doesn't sound like they live next door...) Hopefully you will convince them someday, when they can... moreOK Brian, I'll bite. How did you get the opportunity to try to talk G&D into anything? Love to hear that story. (I read some of your posts, and it doesn't sound like they live next door...) Hopefully you will convince them someday, when they can see value in these recordings.
I respect their right to decide but even though they create this music I don't believe they can be objective about its value. Similarly I subscribe to the notion that once art is created it takes on a life of its own. I.e., Gill can say what she meant to convey in a song but the song can mean anything to anyone who listens to it. There's no right and wrong about this. (This is an easier argument with abstract music but it can still be made.)
So how can they be certain that this music is not worthy? We at this site certainly want more, even if it is not their best. It is still better than 95% of what I hear on the radio. less
Brian1964SmithI spoke to Dave after their show at The Cocoanut Grove Ballroom in Santa Cruz 7/6/11. That was truly my Year of Gillian. Between 5/30/11 & 2/19/12, I had the pleasure of seeing them 6 times, including The Henry Miller Memorial Library in Big Sur... moreI spoke to Dave after their show at The Cocoanut Grove Ballroom in Santa Cruz 7/6/11. That was truly my Year of Gillian. Between 5/30/11 & 2/19/12, I had the pleasure of seeing them 6 times, including The Henry Miller Memorial Library in Big Sur and Pappy and Harriet's in Pioneertown, Ca. (each venue holds 300).
JasonKI've been listening to the wonderful Fiddlers gig in Bristol from 2002. It's a veritable goldmine of unreleased songs. Country Fair, Go Away Picasso and Strange Isabella. Thanks for posting these up. I'm going to be working them out later and playing... moreI've been listening to the wonderful Fiddlers gig in Bristol from 2002. It's a veritable goldmine of unreleased songs. Country Fair, Go Away Picasso and Strange Isabella. Thanks for posting these up. I'm going to be working them out later and playing them down the pub. Incidentally the lead singer from Alabama 3 sometimes pops in and has a jam with us, he's a big hank Williams fan so we kick out a few HW numbers too. I must get some sort of recording device down there and give y'all a listen. We cover quite a lot of Gill's songs. less
Brian1964Smith
I don't know. Let me talk to Matt and get back to you. Also, be sure and check out Spontaneous Wednesday's page; the best source for live Gill & Dave. http://spontaneouswednesday.blogspot.com/
Jayhawker63I love Gillian and David. I've been working on a collection, one disc of contemporary covers (never released only and that includes tracks available for download on their website), one disc of unreleased originals, and one disc that's a collection of... moreI love Gillian and David. I've been working on a collection, one disc of contemporary covers (never released only and that includes tracks available for download on their website), one disc of unreleased originals, and one disc that's a collection of live traditional folk, Apalachian folk, early bluegrass, covers, and hymns, mostly dating to the first half of the twentieth century and before. Several appear in the Carter Family Song Book although the Carters can't always claim credit for them either. I've been doing a bit of research as I don't want to make something available lossless and free without doing my homework. There are a couple tracks that I only have once and the title is either made up or unknown.
Here is the real deal about a few listed as originals:
The Keys To The Kingdom - traditional gospel spiritual
adapted by Blind Willie Davis (1928)
-Gils version adapted by George Washington "("Wash" Phillips (1929)
Single Girl, Married Girl - traditional (First recording by Kelly Harrell,... less
Jayhawker63Comment Part 2:
Here is the real deal about a few listed as originals:
The Keys To The Kingdom - traditional gospel... moreComment Part 2:
Here is the real deal about a few listed as originals:
The Keys To The Kingdom - traditional gospel spiritual
adapted by Blind Willie Davis (1928)
-Gils version adapted by George Washington "("Wash") Phillips (1929)
Single Girl, Married Girl - traditional (First recording by Kelly Harrell, January 7, 1925.
- Adapted by A.P. Carter and recorded by The Carter Family in 1927)
Gotta Travel On (on lists as Papa Writes to Johnny) - traditional with versions by Pete Seeger and Bob Dylan - 2002-12-04, Bristol, England, SBD
-Based on a fragment of an unnamed song found in the archives of the Virginia Folklore Society. Also titled "Done Laid Around", though versions with that title typically use a different set of stanzas. less
Daniel Had the Key to the Kingdom is a Washington Phillips song.
Here is the real deal about a few listed as originals:
The Keys To The Kingdom - traditional gospel... more